The exhibition furniture emerges from a drawn plan of the reproduction of Moorish plasterwork, where it is exposed, on the floor.
Rigour is of paramount importance in the treatment and handling of pictures, illustrations and text, in graphic design, to create a coherent and integrated work which offers information and quality to the project. matra museografía has developed many technical solutions that take full advantage of current technologies of reproduction. Graphic design, as an expressive medium, allows the manipulation of fonts and images for both the management and transmission of content as well as the creation of the scenography that enable it to be understood.
The correct use of existing graphic resources opens up a wide field of possibilities in this area. Words convey concepts and ideas that expand the knowledge or accompany the artistic experience; manipulated images can offer alternative viewpoints of the work or propose immersion scenarios that guide and have a positive impact on the visit experience.
Graphic resources are developed into three large murals which contain the protagonists of the exhibition speech, using a technique which takes us back to advertising and pop, taking us closer to the chronology of the exhibition.
A large light box, 25 metres long, tells the story of the UPV longitudinally and parallel to the itinerary marked by the different pieces.
The drawings copied exactly from the pictures found on the walls of the tombs are reproduced in line drawings and in full scale on the walls.
Large-scale graphic panels contain images on one side and informational texts on the other. Located on the axis of the columns of the cloister, they interact with the surrounding architecture.
The visual impact and the technical and graphic expertise of Renau's work is shown in the exhibition, large extensions of some pieces, justified by his work as a poster artist and muralist.
The reproduction on a wall of the texts Llibre dels Fets, in silver on the background color, creates a seamlessly integrated graphic display and also shows the most important original historical text of the exhibition.
An arid landscape by OPS on the walls physically introduces us to his vignette conveying the feeling of ruin and barrenness to the exhibition room.